Over The Rhine at Le Poisson Rouge

On a cool, crisp evening in New York, the fans of Over the Rhine descended into the cellar of Le Poisson Rouge.  The real life couple of Karin Bergquist and Linford Detweiler rose to the stage starting off with “Born” off their 2005 Drunkard’s Prayer album.  The crowd was in for a treat as Karin thanked the masses for coming to their holiday tour.  Getting down to the holiday spirit, Karin crooned “All I Ever Get For Christmas in Blue” with her signature pipes.  Before continuing the festive caroling with “White Horse”, Linford asked his wife if it was true that she once put a plastic horse under the Christmas tree in the hopes it would be a real horse Christmas morning.  Karin admitted she did and that her mother was relieved when there was no Christmas morning miracle.

Then the evening really heated up when the cable to the kick drum shocked the drummer as they started into “I’m On A Roll”.  They dug deep into their 20 years of songwritng to fulfill a request by singing “Suitcase” from their double album Ohio. Though they did treated fans to oldies but goodies, they played a majority from their latest album The Long Surrender, including “The King Knows How”, “Undamned”, “All My Favorite People” and “Rave On”. The pair also debuted a new song “Sacred Ground” and a new as-yet-named holiday tune. Of course they dusted the set with Christmas songs from their previous holiday recording Snow Angels. The true Christmas gift was their Hank Williams cover of “Still in Love With You” with the accompaniment of openers, The Milk Carton Kids.

Setlist
Born
All I Ever Get For Christmas Is Blue
White Horse
I’m on a Roll
Suitcase
The King Knows How
Undamned
Sacred Ground (new song)
New Christmas song
Snow Angel
Pull Through
North Pole Man
Trouble
All My Favorite People

Encore
Rave On
Drunkard’s Prayer
Still In Love With You (Hank Williams cover)

Eleanor Friedberger whites out Le Poisson Rouge

On a crisp evening in New York City, Eleanor Friedberger, one half of the brother sister duo The Fiery Furnaces, graced the stage of Le Poisson Rouge, performing selections from her debut solo album, Last Summer, as well as new material. Eleanor opened with the first single “My Mistakes”, donning a full white suit and matching white Keds.  Who said you can’t wear white after Labor Day?

Eleanor peppered her show with new material “a song about falling in love”, “Stare at the Sun”  and the rocking “That Was When I Knew” for the encore.  Her lyrics present sharp narratives with decisive repetition.  It’s especially noticeable live when she chimes “Wrong, wrong, wrong” in the later newbie and even in “Inn of the Seventh Ray” where a broken promise rings over and over in her memories.  She even counted out 2-0-1-0 for “Glitter Gold Year”.

Behind her mint green electric guitar and manicured bangs a la Patti Smith, she was completely comfortable on stage, except a moment before kicking into “Roosevelt Island”. Eleanor had to hold up saying she was tipsy and blamed it on the suit.  Fashion is painful.  She took a mini breather and a sip of her Corona.  All good!

Eleanor was happy to play an early show because she was due to attend a wedding post-concert.  Maybe an explanation for the all white ensemble?  Drawing from her recent album she performed “Scenes from Bensonhurst”, “Early Earthquake” and ended the set with “I Won’t Fall Apart on You”.  The fans at the lip of the stage bopped “on and on and on” to the conclusive song.  Post show, Eleanor got behind the merch table.  Let’s hope she made it in time to that wedding or her white hotness would have been missed for the matrimonial bliss.


Bing & Ruth Play Special New York Show At Le Poisson Rouge October 19th Debuting Songs From Forthcoming Album “City Lake” / Look Out For New LP Spring 2009

Bing & Ruth Play Special New York Show
At Le Poisson Rouge October 19th Debuting Songs From Forthcoming Album “City Lake”
Look Out For New LP Spring 2009

bing

New York Times
“making the most of layered and atmospheric melody,”

Brooklyn band Bing and Ruth is an 11-piece ensemble led by composer and pianist David Moore. Described by the New York Times as “making the most of layered and atmospheric melody,” the band utilizes clarinets, voices, cellos, and a buffet of other acoustic instruments to craft expansive soundscapes and quiet microtonal textures. Formed among friends in 2006, they have self-released two records, the “Bing and Ruth” EP in 2006, and the full-length “Kentile Floors” in 2007.

In it’s young life the ensemble has garnered a reputation for unique and engaging life performances, with recent shows in the New York area including the Wordless Music Series, the MATA Festival, the WFMU Festival, Stochastic Brooklyn, and the Darmstadt New Music Series at Issue Project Room. They have shared the stage with a wide variety of performers among whom include Múm, Max Richter, and So Percussion.

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